Six quirky but doughty kids encounter the path of a vast and fearsome otherworldly darkness that has invaded our existence from the farthest reaches of oblivion. They must devote their lives battling it, facing one nightmare after another in the ordeal.
This describes the premise, broadly speaking, of Stephen King’s novel It (his best; no arguments). It is also the plot of the celebrated author’s heir Joseph Hillstrom King’s new horror doorstopper, in which a band of six call forth the ancient, deeply sinister serpent the Sorrowful Monarch from the Endless Night to aid them in overcoming some villains. As one might expect, their arcane ceremony has unintended consequences.
Joseph Hillström King launched his profession making great efforts to remain separate from his well-known dad, publishing under the pen name he maintains to this day and eschewing in-person meetings with his agent (he bears a strong similarity to his father). But in this latest novel, he fully acknowledges it. Certain passages that intentionally mirror some of his father’s iconic (the famous Dark Tower introduction); a scene that brings to mind a King plot point (a game of puzzles). In this whopper of a novel, the author rejoices in his lineage, and readers share in the joy.
Returning to the group: five of them are scholars at the imagined the esteemed institution in Maine. We have Arthur, studious and gifted, solving historical enigmas in his spare time; Colin, wealthy, clever, and prone to trampling those who oppose him; the twin siblings; the stunning Allie. Additionally, Gwen appears, who remains outside their academic circle, but becomes a key part of their circle as they experiment, half believing, partly skeptical, in the occult.
Arthur is, due to circumstances beyond his control, forced into stealing prized manuscripts from his cherished academic collection by a set of regional villains. This devastates his scholarly soul, especially when he’s compelled to seize the library’s most valuable and chilling title: the diary of adept the historical figure (put to death “for conspiring with dark forces in 1703”; the binding is crafted from his flesh). Our Scooby gang examine the log, discover they could summon what the author references as a armoured devil” to assist Arthur with his extortion dilemma – and spend the rest of the novel reaping the consequences. This ancient entity will indeed rid them of those annoying regional antagonists, but they’ll have to choose a different victim annually or succumb to the dragon’s wrath. As our protagonist states: “You sow dragon’s teeth, all you get is additional horrors.”
Moving through four decades, Joe Hill transitions with natural fluency through various literary forms: as the allies strive to manage the circumstances they find themselves in by, variously, choosing undeniably wicked targets to immolate, or hunting down ways to slay the beast themselves, we go from suspense to grim fantasy, clandestine torment to romance to horror. A standout transition was to a heroic journey, far beneath the surface beneath this UK region, a section infused with the fantasy maestro that was magnificently horrifying.
There are trolls – bridge-dwelling ones and online ones, truly terrifying and expertly realized. The story includes mystic weapons and betrayals, pulse-pounding sequences of valor and ones of dreadful evil, both earthly and extraterrestrial. It stands as a masterpiece: a horror novel that is above all a ode to the imagination, and to devotion and companionship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the allies gather at the table, preparing to summon their beast into existence with the force of their minds.
In the author’s own words in his epigraph: “Hic sunt dracones”. Ensure you experience it.
A seasoned slot gaming analyst with over a decade of experience in casino entertainment and strategy development.